Woman Holding a Tobacco Pipe

Detail of a pattern
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At A Glance

  • Period

    ca. 1814-1815
  • Geography

    Japan
  • Material

    Ink and color on silk
  • Dimension

    H x W (image): 71.9 × 26.9 cm (28 5/16 × 10 9/16 in)
  • Accession Number

    F1898.107
  • EDAN ID

    edanmdm:fsg_F1898.107

Object Details

  • Artist

    Katsushika Hokusai 葛飾北斎 (1760-1849)
  • Description

    Poem above. Signature and seal.
  • Signatures

    Signed: Hokusai Taito hitsu.
  • Inscriptions

    Above the figure of the girl is a comic ode signed Shoku Sanjin:
    Uzumi-bi no
    Shita ni sawarade
    Yawaraka ni
    Ii-yoran koto no
    Hatabako no gana.
    This is a play upon words signifying the wish that he might in some gentle way make tobacco convey his love.
    This is a play upon words signifying the wish that he might in some gentle way make tobacco convey his love.
  • Label

    Toying with the tobacco pipe in her left hand, a woman gazes pensively upward and exhales deeply. The use of pale flesh tones rather than white for the skin of the face, hands, and breast places this work in Hokusai's "Taito" period. The wave pattern (tachimaki) on the woman's sash frequently occurs in his paintings of beautiful women, and the subdued coloration of her garments suggests she is married. Women of worldly experience feature regularly in Hokusai's paintings of the Taito period. Indeed, such works represent the ultimate expression of voluptuous sensuality among the artist's many paintings of women.
  • Provenance

    To 1898
    Edward S. Hull Jr., New York to 1898 [1]
    From 1898 to 1919
    Charles Lang Freer (1854-1919), purchased from Edward S. Hull Jr. in 1898 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Kakemono List, L. 167, pg. 37, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Edward S. Hull Jr. was Ernest Francisco Fenollosa’s (1853-1908) lawyer. Hull often acted as an agent, facilitating purchases of objects consigned to him by Fenollosa, as well as purchases of objects consigned to him by Fenollosa's
    well-known associate, Bunshichi Kobayashi (see correspondence, Hull to Freer, 1898-1900, as well as invoices from E.S. Hull Jr., 1898-1900, Freer Gallery of Art and Arthur M. Sackler Gallery Archives). See also, Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), pgs. 15 and 34. See further, Thomas Lawton and Linda Merrill, Freer: A Legacy of Art, (Washington, DC and New York: Freer Gallery of Art and H. N. Abrams, 1993), pgs. 133-134.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Hokusai: Mad About Painting (November 20, 2019 to January 9, 2022)
    Japanese Arts in the Edo Period: 1615-1868, part 2 (March 8 to October 19, 2008)
    Hokusai (October 25, 2005 to May 14, 2006)
  • Previous custodian or owner

    Edward S. Hull Jr. (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    Japan
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

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