Kenzan style desk screen with design of mountain retreat
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
late 19th century -
Geography
Kyoto, Kyoto prefecture, Japan -
Material
Buff clay; iron pigment, enamels under transparent lead glaze -
Dimension
H x W x D: 27.6 x 38.2 x 2.6 cm (10 7/8 x 15 1/16 x 1 in) -
Accession Number
F1897.20 -
EDAN ID
edanmdm:fsg_F1897.20
Object Details
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Artist
Imitation of Ogata Kenzan (1663-1743)Kyoto workshop -
Description
Inkstone screen (kenbyo [Jpn]). Three-fold with four spool-feet.Clay: hard, grayish.Glaze: creamy and gray-white, crackled. On back grayish-green, crackled.Decoration: black, under glaze. Frame in green, yellow, red, black, and green. -
Signatures
Signature -
Inscriptions
The poem inscribed on the back of the screen is "Fisherman's Hut" by Li Dongyang (1447-1516) -
Provenance
To 1897Rufus E. Moore, New York to 1897 [1]From 1897 to 1919Charles Lang Freer (1854-1919), purchased from Rufus E. Moore in 1897 [2]From 1920Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]Notes:[1] See Original Pottery List, L. 33, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.[2] See note 1.[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery. -
Collection
Freer Gallery of Art Collection -
Exhibition History
The Peacock Room Comes to America [2022] (September 3, 2022 - ongoing)The Peacock Room Comes to America [2017-2019] (October 14, 2017 to January 2, 2019)The Peacock Room Comes to America [2011-2016] (April 9, 2011 to January 4, 2016)The Potter's Brush: The Kenzan Style in Japanese Ceramics (December 9, 2001 to October 27, 2002) -
Previous custodian or owner
Rufus E. Moore (1840-1918) (C.L. Freer source)Charles Lang Freer (1854-1919) -
Origin
Kyoto, Kyoto prefecture, Japan -
Credit Line
Gift of Charles Lang Freer -
Type
Tool and Equipment -
On View
Freer Gallery 12: The Peacock Room Comes to America -
Restrictions and Rights
Usage Conditions Apply
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