La Mère Gérard
Terms of Use
Creative CommonsAt A Glance
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Period
1858 -
Geography
United States -
Material
Etching; ink on paper -
Dimension
H x W (overall): 12.8 x 9 cm (5 1/16 x 3 9/16 in) -
Accession Number
F1890.10 -
EDAN ID
edanmdm:fsg_F1890.10
Object Details
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Artist
James McNeill Whistler (1834-1903) -
Edition/State
4, 3 -
Label
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G24 state 3 of 4. -
Provenance
Francis Seymour Haden (1818-1910), London [1]To 1890H. Wunderlich & Co., New York to 1890 [2]From 1890 to 1919Charles Lang Freer (1854-1919), purchased from H. Wunderlich & Co. in 1890 [3]From 1920Freer Gallery of Art, gift of Charles Lang Freer in 1920 [4]Notes:[1] See Curatorial Remark 3 in the object record.[2] See List of Whistler Objects Transferred to Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This image was purchased from H. Wunderlich & Co. in January 1890, but kept in the Reserve Section until January 1921, when it was transferred to the main collection and given a registration number for that year.The registration number was later changed to correspond with the year of purchase.[3] See note 2.[4] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery. -
Collection
Freer Gallery of Art Collection -
Exhibition History
Young Whistler: Early Prints and the "French Set" (August 28, 2004 to March 13, 2005) -
Previous custodian or owner
Francis Seymour Haden (1818-1910)H. Wunderlich & Co. (1874-1912) (C.L. Freer source)Charles Lang Freer (1854-1919) -
Origin
United States -
Credit Line
Gift of Charles Lang Freer -
Type
Print -
Restrictions and Rights
CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
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