Goryeo Buddhist Painting: A Closer Look

Title: Goryeo Buddhist Painting: A Closer Look
Author List: Chi-sun Park, Eunwoo Jeong, Keith J. Wilson
Publisher: Freer Gallery of Art and Arthur M. Sackler Gallery
Publication Date: September 2019
Publication Type: online resource
Format: digital
Collection Area(s): Korean Art
Goryeo Buddhist Painting: A Closer Look online publication cover
Description:

Exquisite silk scrolls created with ink, rich mineral pigments, and gold characterize a distinctive school of Buddhist painting that emerged in Korea under the patronage of the imperial court by the thirteenth century. Relatively small in scale, these delicate works were made for intimate settings, such as private chapels maintained by members of the elite class. Today, only about 160 of these exceptional paintings dating from the second half of the Goryeo 고려 高麗 dynasty (918–1392) exist worldwide. Three are in the collections of the Freer Gallery of Art and Arthur M. Sackler Gallery, while thirteen more belong to other museums throughout the United States.

Scholarship on these paintings, which are chiefly Pure Land images dominated by the Buddha Amitabha and deities associated with him, has developed quickly since the first study was presented by the Yamato Bunkakan 大和文華館 in Nara, Japan, in 1978. To help advance this research and deepen understanding of the sixteen examples in American collections, the Freer Gallery of Art and Arthur M. Sackler Gallery approached the Cultural Heritage Administration of Korea for assistance in creating this bilingual digital catalogue.

Related Exhibition

  • head and shoulders of a round faced figure wearing an elaborate headdress with a pale gold halo

    Goryeo Buddhist Paintings: A Closer Look

    February 25–May 28, 2012

    Buddhism was introduced to the Korean peninsula by Chinese monks in the late fourth century CE. Within two hundred years, the faith was flourishing under court patronage that lasted nearly a millennium. The three paintings featured in this exhibition were created during the late thirteenth and fourteenth centuries, toward the end of this long era of royal support. Not made for grand temple halls, in which monumental murals were painted directly on the walls, these detailed images were intended for closer viewing in more intimate settings.

    View Exhibition