In celebration of our fiftieth volume, the 2020 edition of Ars Orientalis explores transformations—of a representation into a divine manifestation, of art history in an increasingly digital era—through an expanded double issue.
Considering miraculous images across Asia, seven articles reveal the variety of sacred icons and their active and diverse roles in mediating spiritual relationships. The authors delve into the complexity of textual traditions and the complicated question of duplication. These articles, guest edited by Dorothy Wong, are drawn from two workshops held in March 2018.
The expanded Digital Initiatives section in the online version of volume 50 departs from the traditional review format by presenting six peer-reviewed explorations into the ways in which digital tools allow for new approaches to studying, interpreting, and exhibiting Chinese Buddhist art and architecture. Guest edited by Di Luo, these articles show how the application of digital technologies can both advance art-historical inquiry and introduce new methodological concerns.
Miraculous Images in Asian Traditions
Introduction
Dorothy Wong
Time and Time Again: Finding Perspective for Bodhgayā Buddha Imagery
Janice Leoshko
The Light-Emitting Image of Magadha in Tang Buddhist Art
Dorothy Wong
Kaikei, Chōkai, and the Sacred Image of Eleven-Headed Kannon at Hasedera
Samuel C. Morse
Miraculous Portraits of Confucius: Images and Auspicious Presences
Julia K. Murray
Contemplating the Face of the Master: Portraits of Sufi Saints as Aids to Meditation in Seventeenth-Century Mughal India
Murad Khan Mumtaz
Miraculous Images of Mongolia from the Sixteenth Century to the Present
Isabelle Charleux
God Pictures in Action: Korean Shaman Paintings and the Work They Do
Laurel Kendall, Jongsung Yang, Yul Soo Yoon
Chinese Buddhist Art and Architecture in the Digital Era
Introduction/导言 /罗迪
Di Luo
Restoring the Past and Present: The Case of the Figure of Wei Mo Chi
Fletcher Coleman
VR-Heritage: Chinese Cultural Heritage in the Digital Age
Jianwei Zhang and Lala Zuo
Photogrammetry: A Digital Approach to the Study of Chinese Architecture/摄影测量建模:中国建筑研究的一种数字化方法 /罗迪
Di Luo
3D Scanning and Digital Conservation Efforts of the Yungang Grottoes Research Academy
Changyu Diao and Bo Ning
Subduing the Devil: Interpretation of Dunhuang Art Classics through Digital Media
Haitao Chen and Qi Chen
The Evolution of Visual Spectacle: A Virtual-Reality Exhibition at the Charles B. Wang Center
Jinyoung A. Jin
ARS ORIENTALIS 50
EDITOR–IN-CHIEF
Massumeh Farhad
Nancy Micklewright
ADVISORY BOARD
Qianshen Bai
Kevin Carr
Christiane Gruber
Carol Huh
Simon Rettig
Haicheng Wang
MANAGING EDITOR
Sana Mirza
EDITOR
Melanie B. D. Klein (Digital Initiatives)
Janet Rauscher
DESIGNER
Scribe Inc.
University of Michigan Publishing
EDITORIAL OFFICES
Ars Orientalis
Freer Gallery of Art
Smithsonian Institution
P.O. Box 37012, MRC 707
Washington, D.C. 20013-7012
For deliveries
(DHL, FedEx, UPS, courier)
1050 Independence Avenue, SW
Washington, D.C. 20560
Issn 0571-1371
Printed in the United States of America
© 2020 Smithsonian Institution, Washington, D.C
Beginning with volume 42 (2012), Ars Orientalis is indexed and abstracted in the Art and Humanities Citation Index®.
Ars Orientalis 50 print copies can be ordered here: https://asia.si.edu/research/ars-orientalis/order/
Current print volume price (excluding shipping): $60
Banner credits (left to right): Images © Haitao Chen; Ogaswawara Toshitaka; British Library Board; Jianwei Zhang and Lala Zuo