Portrait of Oboi (died 1669)

Historical period(s)
Qing dynasty, mid-18th to early 20th century
Medium
Ink and color on silk
Dimensions
H x W (painting): 193.7 x 125 cm (76 1/4 x 49 3/16 in) H x W (overall without jiku): 290 x 152.7 cm (114 3/16 x 60 1/8 in) W (with jiku): 165.1 cm (65 in)
Geography
China
Credit Line
Purchase — Smithsonian Collections Acquisition Program and partial gift of Richard G. Pritzlaff
Collection
Arthur M. Sackler Gallery
Accession Number
S1991.93
On View Location
Currently not on view
Classification(s)
Painting
Type

Hanging scroll

Keywords
China, portrait, Pritzlaff collection, Qing dynasty (1644 - 1911), regent, WWII-era provenance
Provenance
Provenance information is currently unavailable
Label

A powerful official, Oboi served for eight years early in the Kangxi reign (1662-1722) as a regent for the child emperor. His domineering actions provoked opposition at court, leading to his arrest in 1669 and his death in prison shortly thereafter. In 1713, the same emperor who had purged Oboi posthumously rehabilitated him to commemorate his battlefield exploits during the Manchu conquest of China that led to the founding of the Qing dynasty (1644-1911).

This portrait incorporates all the conventions linked with ancestor portraits, yet it still conveys Oboi's fierce personality. (Most ancestor portraits depict the sitter with a placid, otherworldly demeanor.) The photorealism of the face suggests that this portrait was painted in the late nineteenth century, but exactly why his descendants commissioned the image at that late date is unclear.

Published References
  • Hans Konig, Michael Franses. Glanz Der Himmelssohne Kaiserliche Teppiche Aus China 1400-1750: Exhibition in Köln, Museum fur Ostasiatische Kunst, October 15, 2005 - January 15, 2006. Exh. cat. Koln. .
  • China: The Three Emperors, 1662-1795. Exh. cat. London. fig. 5.
  • Jan Stuart. Calling Back the Ancestor's Shadow: Chinese Ritual and Commemorative Portraits. vol. XLIII no. 3. p. 10, fig. 5.
  • The Secret of the Joseon Portraits. Exh. cat. Korea. cat. 9, p. 21.
  • Jan Stuart, Evelyn S. Rawski. Worshiping the Ancestors: Chinese Commemorative Portraits. Exh. cat. Washington and Stanford. p. 98, fig. 4.3.
  • Jean M. Borgatti. Constructed Identities: Portraiture in World Art. Amsterdam, 2008. p. 312.
Collection Area(s)
Chinese Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.

citation | Save this image How to download an image | Request Permission | Terms of Use