string(21) "edanmdm:fsg_S1987.224" Bodhisattva and Dark-skinned Figure - National Museum of Asian Art

Bodhisattva and Dark-skinned Figure

Detail of a pattern
Image 1 of 1
IIIF

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At A Glance

  • Period

    10th century, circa 952
  • Geography

    China
  • Material

    Ink and colors on primed mud-wall construction
  • Dimension

    H x W: 175.6 x 85.5 cm (69 1/8 x 33 11/16 in)
  • Accession Number

    S1987.224
  • EDAN ID

    edanmdm:fsg_S1987.224

Object Details

  • Provenance

    Possibly originally located in the Kuan-Yin Temple of Yu Vouen-sang, Henan province, China [1]
    From 1923 to at least 1949
    C. T. Loo & Company, Paris and New York, 1923 [2]
    From at least 1972 to 1987
    Dr. Arthur M. Sackler (1913-1987), New York, from at least 1972 [3]
    From 1987
    Arthur M. Sackler Gallery, gift of Arthur M. Sackler, on September 11, 1987 [4]
    Notes:
    [1] A related painting in the Honolulu Academy of Arts’ collection (acc. no. 2692) supposedly came from the Kuan-Yin Temple of Yu Vouen-sang, Henan province. This information is based on notes on the original registrar card.
    In an article published in 1928, Osvald Sirén stated that the provenance of these wall paintings was said to be Yu Vouen-sang but he noted that “this information may or may not be correct,” see Osvald Sirén, “The Chinese Pavilion of C. T. Loo & Co. and Its Fresco Paintings,” Pantheon (November 1928), pp. 548-549.
    [2] In his introduction to Chinese Frescoes of Northern Sung, exh. cat. (New York: C. T. Loo, Inc., 1949), C. T. Loo described the circumstances of acquisition of the exhibited wall paintings, including Bodhisattva and Dark-skinned Figure (exhibited under cat. 14).
    According to this account, during his visit to China in 1923 Loo received information from his supplier about wall-paintings’ fragments in a ruined temple somewhere near the Henan-Shanxi border.
    After negotiations with local authorities, the wall paintings were removed from the debris and Loo transferred them to Paris. See Laurence Sickman, “An Early Chinese Wall-Painting Newly Discovered,” Artibus Asiae vol. 15, no. 1/2 (1952), pp. 137-144.
    By 1928 the paintings were installed in Loo’s gallery in Paris, see Osvald Sirén, “The Chinese Pavilion of C. T. Loo & Co. and Its Fresco Paintings,” Pantheon (November 1928), pp. 544-552.
    According to Sickman, they were brought to New York in 1948.
    [3] The painting was accessioned to Arthur M. Sackler’s collection in 1972.
    [4] Pursuant to the agreement between Dr. Arthur M. Sackler and the Smithsonian Institution, dated July 28, 1982, legal title of the donated objects was transferred to the Arthur M. Sackler Gallery on September 11, 1987.
  • Collection

    Arthur M. Sackler Collection
  • Exhibition History

    Encountering the Buddha: Art and Practice Across Asia (October 14, 2017 to February 6, 2022)
  • Previous custodian or owner

    C.T. Loo & Company (1914-1948)
    Dr. Arthur M. Sackler (1913-1987)
  • Origin

    China
  • Credit Line

    Gift of Arthur M. Sackler
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

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