Crouching Cat

Maker(s)
Artist: Bada Shanren 八大山人 (朱耷) (1626-1705)
Historical period(s)
Qing dynasty, 1699
Medium
Ink on paper
Dimensions
H x W (image): 164 x 90.6 cm (64 9/16 x 35 11/16 in)
Geography
China
Credit Line
Bequest from the collection of Wang Fangyu and Sum Wai, donated in their memory by Mr. Shao F. Wang
Collection
Shao F. Wang collection
Accession Number
F1998.49
On View Location
Currently not on view
Classification(s)
Painting
Type

Hanging scroll

Keywords
cat, China, Qing dynasty (1644 - 1911), Shao F. Wang collection, WWII-era provenance
Provenance

To 1997
Wang Fangyu (1913-1997) and Sum Wai (1918-1996), to 1997 [1]

To 1998
Shao F. Wang, New York and Short Hills, NJ, by descent, to 1998 [2]

From 1998
Freer Gallery of Art, gift of Shao F. Wang in 1998

Notes:

[1] According to Curatorial Note 1, Joseph Chang and Stephen D. Allee, May 7, 1998, and Joseph Chang and Stephen D. Allee, August 18, 1998, in the object record.

[2] See note 1.

Previous Owner(s)

Shao F. Wang
Wang Fangyu 1913-1997
Sum Wai 1918 - 1996

Label

Bada Shanren created several paintings of cats over his career, most of which show the animal sleeping or at rest with tucked legs and tail, closed eyes, and a distinctly humped back. In such works, the stillness of the pose is suggestive of the Chan meditational practices in which Bada engaged as a Buddhist monk.

The cats in these paintings are rendered either in soft outline or rich, moist washes of ink, appearing as single images or with a simple prop, such as a rock, with which they seem to merge into a natural, organic whole. In this unique work, however, the image of a wide-awake, upwardly gazing cat is considerably different in mood, composition, and brushwork. Here, the animal appears as part of a full, natural setting with which it dynamically interacts, and instead of a two-dimensional cutout figure, its body possesses a sense of real physical volume and three-dimensionality. While Bada used shaded tones of wet, layered ink to paint the surrounding landscape, as contrast he employed dry, pale ink to depict the figure of the cat and carefully rendered its face and fur with decisive, linear brushstrokes. This scroll is Bada's latest dated cat painting.

Published References
  • Yuan Li. "近距离阅读大师." Exploring the Enigmas of Bada Shanren – Freer’s Special Exhibition Review., 284. Shanghai, May 2016. p. 66.
  • Joseph Chang, Quianshen Bai, Catalogue by Stephen Allee. In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren from the Bequest of Wang Fangyu and Sum Wai. Exh. cat. Washington. cat. 19, pp. 96-97.
  • Thomas Lawton Thomas W. Lentz. Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. vol. 1 Washington, 1998. pp. 244-251.
Collection Area(s)
Chinese Art
Web Resources
Google Cultural Institute
Rights Statement

Copyright with museum