- Provenance
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To 1998
Andreas Leisinger, Zushi, Japan, to 1998From 1998
Freer Gallery of Art, purchased from Andreas Leisinger in 1998
- Previous Owner(s) and Custodian(s)
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Andreas Leisinger
- Label
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Hoitsu's paintings, whether of bird-and-flower scenes or narrative episodes, were most often based on classical Japanese literature. When he occasionally produced Buddhist-related paintings, they were usually in full color and within the complex representational system of deities and mandalas found in esoteric Buddhist sects. This image of the founding Zen patriarch Bodhidharma (sixth century) was a thematic rarity for the artist. Zen-related painting favored the use of ink monochrome for its spontaneity. Hoitsu's technique of lush brushstrokes and subtle modulation of color on silk softens the severe simplicity associated with Bodhidharma images.
The two-line inscription suggests that adherence to societal norms binds the spirit with an invisible cord.
- Published References
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- Ikeda Koson. Hoitsu Shonin Shinseki Kagami. Zenpen. 2 vols., . .
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
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CC0 - Creative Commons (CC0 1.0)
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-8240_26