Chao Phraya Gallery, Washington, DC, acquired from an unidentified collector, to 1998 
Freer Gallery of Art, purchased from Chao Phraya Gallery in 1998
 The Chao Phraya proprietors explained that this object came from the collection of an Australian ambassador to Vietnam around 1982 (see Curatorial Note 11, Louise Cort, December 19, 1997, in the object record).
- Previous Owner(s)
Chao Phraya Gallery
1. (Stephen P. Koob, 10 February 1998) Large glazed round jar, with wide mouth, thick out-turned rim and flat base. Creamy gray-white glaze on the exterior and interior, except for the base and interior bottom. Decorated on the exterior with incised lines forming "panels," within which large floral designs are executed in brown glaze. Two small holes punched through on the upper shoulder of one side.
2. (Louise Cort, 3 March 1998) A wide-mouthed jar with four ornamented panels and a broad, flat base. The decoration is cut into the soft clay through the just-applied raw glaze and painted with iron pigment. The glaze on this jar fired to pale yellow-green.
Jars of this type have been excavated from the fifteenth-century layer of the Ba Dinh citadel site in central Hanoi. Their use (suggested by two holes drilled in the shoulder) is not yet understood.
- Published References
- Betonamu no toji [Vietnamese Ceramics Exhibition]. Exh. cat. Fukuoka City, Japan. cat. 12.
- John Stevenson, John Guy, Louise Allison Cort. Vietnamese Ceramics: A Separate Tradition. Chicago. .
- Honda Hiromu, Shimazu Noriki. Vietnamese and Chinese Ceramics Used in the Japanese Tea Ceremony. The Asia Collection Singapore and New York. cat. 7.
- Helene Fromentin. La Ceramique Vietnamienne de la Donation Maspero au Musee National des Arts Asiatiques-Guimet. no. 92. p. 92, fig. 8, 103.
- Thomas Lawton, Thomas W. Lentz. Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. vol. 1 Washington, 1998. pp. 212-213, fig. 1.
- Collection Area(s)
- Southeast Asian Art
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