- Provenance information is currently unavailable
- Previous Owner(s)
Hagop Kevorkian 1872 - 1962
The Persian Hamzanama, or Story of Hamza, consists of a series of wild and fantastic adventures centered upon the heroic Hamza. The Hamzanama was a favorite of the young Mughal emperor Akbar (r. 1542-1605) who often had the stories read aloud to him. Painters at Akbar's court produced a monumental Hamzanama, which was reputed to have 1400 paintings. Two or more artists worked together on every painting.
The scintillating palace, a harmonious combination of pinkish planes, rhythmic dark openings and delicated floral bands, is attributed to Shravana, an artist known for dazzling architecture and precise patterns. In this luscious setting, the figures seem an afterthought; indeed this is literally true for there is visual evidence that at least part of the body of Said (the orange-clad male on the roof) was painted over the carpet border. The narrative, from volume 11 of the Hamzanama, tells of two girls who wrestle under the spell of a sorceress. The tussling girls are attributed to Mithra, who favors doll-like faces with doleful eyes.
For a related image from the Hamzanama see F1949.18.
- Published References
- Sam Fogg, Rare Books and Manuscripts Francesca Galloway. Red Stone: Indian Stone Carving from Sultanate and Mughal India. p. 6.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd. Washington and Ahmedabad, India, 2012. cat. 6D, p. 56.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court. Exh. cat. Washington, 1981. cat. 5a, pp. 59, 61.
- John Seyller. The Adventures of Hamza: Painting and Storytelling in Mughal India. Washington. cat. 67, pp. 206, 305.
- Collection Area(s)
- South Asian and Himalayan Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum