- Provenance information is currently unavailable
- Previous Owner(s)
The first Mughal emperor, Babur (reigned 1526-30), wrote memoirs that included precise descriptions of the animals and flowers that he encountered after his arrival in India in 1526. He observed that the blue bull, a kind of antelope, may stand as high as a horse, but it is somewhat lighter in build. The male is bluish-gray, and therefore known as nila-gau [blue bull].
This illumination was placed alongside that text in a copy of the Baburnama made for the private use of Babur's grandson, the emperor Akbar (reigned 1556-1605). Babur's interest in minute details of the natural world was continued by many of his successors and is reflected in both the subjects and styles of the works that they commissioned.
Like many Mughal paintings this was a collaborative effort. Kanha created the composition; Mansur painted it.
- Published References
- Great Drawings of All Time. 4 vols., New York. pl. 876.
- Asok Kumar Das. Wonders of Nature: Ustad Mansur at the Mughal Court. India. p. 26, p. 29.
- Joan Cummins. Indian Painting: From Cave Temples to the Colonial Period., 1st edition. Boston. p. 37, fig. 3.
- Stuart Cary Welch. MIniatures from a Manuscript of the Diwan-i-Hafiz. vol. 11, no. 3 Bombay, June 1958. p. 60, fig. 13.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd. Washington and Ahmedabad, India, 2012. cat. 8D, p. 65.
- Marjorie Wall Bingham. An Age of Empires, 1200-1750. Oxford and New York, 2005. p. 71.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court. Exh. cat. Washington, 1981. cat. 7, pp. 75-77, 178,50.
- Rumer Godden. Gulbadan, Portrait of a Rose Princess at the Mughal Court. A Studio Book New York. p. 105.
- Milo Cleveland Beach. The Gulshan Album and the Workshops of Prince Salim. vol. 73, no. 2 Zurich. pp. 429-77, fig. 12.
- Collection Area(s)
- South Asian and Himalayan Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum