- Provenance information is currently unavailable
- Previous Owner(s)
Tonying and Company
The artist's inscription explains that this handscroll depicts the legendary hero Zhong Kui, known as the Demon Queller, setting out on a hunting exhibition with his sister. According to legend, when Emperor Xuanzong (reigned 712-56) fell ill with fever, he dreamt that a small demon broke into the palace. Suddenly, a large man calling himself Zhong Kui appeared, attacked the demon, and devoured it; when the emperor awoke, his illness had miraculously vanished. The emperor summoned a court painter to make a portrait of the figure in his dream, and the painting was distributed throughout the empire as a talisman to expel harmful spirits. By the tenth century, other popular legends and practices began to accrue around the figure of Zhong Kui; for example, he acquired both a wife and younger sister.
In Gong Kai's humorous and imaginative painting, Zhong Kui and his sister are shown riding in sedan chairs. A retinue of slave-demons accompany them and carry Zhong Kui's sword, bundles of household goods, pots of wine, and smaller demons they have captured.
To learn more about this and similar objects, visit http://www.asia.si.edu/SongYuan/default.asp Song and Yuan Dynasty Painting and Calligraphy.
- Published References
- Thomas Lawton. "画中人 上海书画出版社." Chinese Figure Painting. Shanghai, China. .
- Bangda Xu. Chung-kuo hui hua shih t'u lu. Shanghai. pl. 146.
- Nakata Yujiro Fu Shen. O-bei shuzo Chugoku hosho meiseki shu (Masterpieces of Chinese Calligraphy in American and European Collections). 6 vols., Tokyo, 1981-1983. pls. 6-10.
- Osvald Siren. Chinese Painting: Leading Masters and Principles. 7 vols., New York and London, 1956-1958. pl. 323.
- Osvald Siren. Kinas Konst Under Tre Artusenden. 2 vols., Stockholm, 1942-1943. fig. 404.
- Laurence Sickman Alexander Coburn Soper. The Art and Architecture of China. The Pelican History of Art London and Baltimore. pl. 110a.
- Richard von Glahn. The Sinister Way: The Divine and the Demonic in Chinese Religious Culture. Berkeley. fig. 17.
- Great Drawings of All Time. 4 vols., New York. pl. 893.
- Hai wai i chen (Chinese Art in Overseas Collections). Taipei, 1985. vol. 1, no. 77.
- Robert Hans van Gulik. Chinese Pictorial Art as Viewed by the Connoisseur: Notes on the Means and Methods of Traditional Chinese Connoisseurship of Pictorial Art, Based Upon a Study of the Art of Mounting Scrolls in China and Japan.
. Orientale Roma, vol. 19 Rome. opp. p. 127, fig. 62.
- Derek Gillman. The Idea of Cultural Heritage. Leicester, UK. figs. 14, 15.
- Wai ta i shu chuan t'ung t'u lu (The Great Heritage of Chinese Art in Private Collections Museums all over the World). multi-volumed, Shanghai. pls. 10, 11.
- Song Dynasty Paintings Project. multi-volumed, . .
- Stephen Little. The Demon Queller and the Art of Qiu Ying (Ch'iu Ying). vol. 46, no. 1/2 Washington and Zurich. pp. 5-80, fig. 26.
- "Geijutsu shinchō." 芸術新潮., August 2019 Issue. Shinjuku-ku, Tokyo, August 2019. p. 13 and 50-51.
- Whitney N. Morgan. Museum Accessions. vol. 11, no. 1 New York, January 1939. pp. 38, 40.
- Dr. John Alexander Pope, Thomas Lawton, Harold P. Stern. The Freer Gallery of Art. 2 vols., Washington and Tokyo, 1971-1972. cat. 43, p. 43.
- Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. p. 49.
- Chung-kuo shu hua (Chinese Painting). Taipei. p. 64.
- Judith Burling Arthur H. Burling. Chinese Art. New York. p. 113.
- Thomas Lawton. Chinese Figure Painting. Exh. cat. Washington, 1973. cat. 35, pp. 142-149.
- T'ing-k'uan Wen. Man hua su ku: Caricatures of Old Times. Mei shu shih lun ts'ung k'an, no. 2 Peking. p. 144.
- The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. Exh. cat. London and New Haven, September 28 - January 2, 2010. pp. 185-186, fig. 205.
- Suzuki Kei. Chugoku kaiga sogo zuroku (Comprehensive Illustrated Catalog of Chinese Painting). 5 vols., Tokyo, 1982-1983. pp. 202-203.
- Dagny Carter. Four Thousand Years of China's Art. New York. p. 234.
- Shou-Chien Shih. From Style to Huayi: Ruminating on Chinese Art History. Taipei, Taiwan. pp.254-255, fig. 161.
- Collection Area(s)
- Chinese Art
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