- Provenance information is currently unavailable
- Previous Owner(s)
Head of a pharaoh (beard and one eye-ball missing; ear chipped; tip of crown broken off and replaced. Recent bruises on the left cheek and the crown.) Diorite. The right eye-ball is carved of fine marl, originally held in place by a copper hand, of which two small fragments (completely oxidized) remain.
Whose portrait is this? The headgear and moustache identify the figure as an Egyptian pharaoh; the tall crown with the rounded top, known as the White Crown, signified rule over southern Egypt. Broken at the neck, the head originally belonged to a full, probably standing, statue. In ancient Egypt, such statues were placed in tombs to serve as eternal images of the deceased. Sculptors sought to convey the pharaoh's divine character, while also experimenting with realistic portrayals of the human face and body.
Displayed in a museum case, this head resembles isolated portrait heads familiar in Western art--tempting us to think of it as a finished object. The original statue probably provided further clues to the figure's identity, perhaps including a hieroglyphic inscription naming the pharaoh. Details of the crown and face suggest that this statue was carved in Dynasty 5 or 6, the period following the building of the Great Pyramids at Giza (ca. 2500 B.C.E.). Few royal statues survive from these dynasties, making this head a rare example of Egyptian royal portraiture produced toward the end of the Old Kingdom (2675-2130 B.C.E.)
- Published References
- Herbert Riche. Beitrage zur Agyptischen Bauforschung und Altertumskunde: Das Sonnenheiligtum des Konigs Userkaf. vol. 2, no. 8, Wiesbaden. pls. 5-7.
- Ethel E. Ewing. Our Widening World: A History of the World's People. Rand McNally Social Studies New York. cover, p. 250.
- Georg Steindorff. A Royal Head from Ancient Egypt. vol. 1, no. 5 Washington, 1951. .
- Ideals of Beauty: Asian and American Art in the Freer and Sackler Galleries. Thames and Hudson World of Art London and Washington, 2010. pp. 38-39.
- John D. Cooney. Three Royal Sculptures. vol. 27 Paris. pp. 78-92.
- Gaston Maspero. Art in Egypt. Ars Una London and New York, 1912-1930. p. 82.
- Cyril Aldred. Egyptian Art in the Days of the Pharoahs, 3100 - 320 BC. World of Art New York. p. 92.
- Ann C. Gunter. A Collector's Journey: Charles Lang Freer and Egypt. Washington and London, 2002. p. 143, fig. 5.13.
- Arielle P. Kozloff. Weserkaf, Boy King of Dynasty V. vol. 69, no. 7 Cleveland, September 1982. p. 214.
- Hourig Sourouzian. Standing Royal Colossi of the Middle Kingdom Reused by Ramesses II. vol. 44 Cairo. pp. 237, 240, fig. 2e.
- Edna R. Russman. A Second Style in Egyptian Art in the Old Kingdom. vol. 51 Cairo, 1995. p. 276.
- Collection Area(s)
- Ancient Egyptian Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum