string(21) "edanmdm:fsg_F1909.167" Riding in the Springtime Hills 《春山游騎圖 - National Museum of Asian Art

Riding in the Springtime Hills 《春山游騎圖

Detail of a pattern
Image 1 of 1
IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1644-1911
  • Geography

    China
  • Material

    Ink and color on silk
  • Dimension

    H x W (image): 179.8 × 61 cm (70 13/16 × 24 in)
  • Accession Number

    F1909.167
  • EDAN ID

    edanmdm:fsg_F1909.167

Object Details

  • Artist

    Copy after Tang Yin 唐寅 (1470-1524)
  • Description

    Depicts a fenced path running through a mountainous wooded landscape, with blossoming plum trees and pine trees. Two men on foot walk on the path at the lower left. A man on a donkey, accompanied by two attendants, follows the path across a bridge. A village way-station of open pavilions is at mid-right, with four people seated at a table, one standing, two looking out at the river, and two horses eating from a trough. The path, with two more travellers, continues upward at left, into the mountains. At right above the way-station, is a cluster of buildings with figures inside. Near the top of the mountains is a temple--presumably the path's destination. Signature, six seals, and inscription.
  • Signatures

    Signature.
  • Marks

    Six seals.
  • Inscriptions

    Inscription
  • Provenance

    To 1909
    Loon Gu Sai, Beijing, to 1909 [1]
    From 1909 to 1919
    Charles Lang Freer (1854-1919), purchased from Loon Gu Sai, Beijing, in 1909 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Kakemono and Makimono List, L. 626, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), Loon Gu Sai was possibly Lunguzhai, a store in the antiques district of Liulichang.
    This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Seasons: Chinese Landscapes (December 18, 2010 to June 12, 2011)
  • Previous custodian or owner

    Loon Gu Sai (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    China
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring