Bunshichi Kobayashi (circa 1861-1923), Boston, San Francisco, Tokyo, and Yokohama, to 1903 
From 1903 to 1919
Charles Lang Freer (1854-1919), purchased from Bunshichi Kobayashi in 1903 
Freer Gallery of Art, gift of Charles Lang Freer in 1920 
 See Original Panel List, pg. 8, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
 See note 1.
 The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
- Previous Owner(s)
Charles Lang Freer 1854-1919
Kobayashi Bunshichi (C.L. Freer source) ca. 1861-1923
Spanning the broad Sumida River, the Ryogoku Bridge was a popular site for entertainment in Edo (modern Tokyo). In this detailed panoramic view, the artist Toyoharu focuses on activities along the west bank of the river, where people representing many classes of society and whose status is distinguished by their dress, stroll to and from the bridge along a roadway lined with shops. Pleasure boats make their way beneath the bridge. The pagoda and roof of the Sensoji, a temple in Asakusa dedicated to the Buddhist deity Kannon, appears in the distance to the left of the bridge. Although space is compressed in this view, the artist endeavored to render a contemporary scene with realism and accuracy. He employs some of the principles of perspective found in European art that had begun to interest Japanese artists beginning in the eighteenth century.
- Published References
- Shizuya Fujikaka. Ukiyoe no kenkyu [Study on Ukiyoe]. 3 vols., Tokyo. vol. 2: pl. 266.
- Zaigai hiho [(Japanese Paintings in Western Collections]. 3 vols., Tokyo. vol. 3: pt. II, p. 75, vol. 3, pt. I, pl. 71.
- Ukiyo-e Shuka. 19 vols., Tokyo, 1978-1985. vol. 16 (1981): pl. 35.
- The Hotei Encyclopedia of Japanese Woodblock Prints. 2 vols., Amsterdam. p. 29.
- James R. Brandon, Mildred S. Friedman. Tokyo, Form and Spirit. Exh. cat. Minneapolis and New York. p. 35.
- Harold P. Stern. Ukiyo-e Painting: Freer Gallery of Art Fiftieth Anniversary Exhibition. Exh. cat. Washington and Baltimore, 1973. cat. 74, pp. 200-201.
- , T. K. Sabapathy, Maurizio Peleggi. Eye of the Beholder: Reception, Audience, and Practice of Modern Asian Art. University of Sydney East Asian series, 15 Sydney. p. 304, fig. 14.3.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- CC0 - Creative Commons (CC0 1.0)
CC0 - Creative Commons (CC0 1.0)
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