string(23) "edanmdm:fsg_F1896.45a-b" Kenzan style Black Raku water jar - National Museum of Asian Art
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Kenzan style Black Raku water jar

Detail of a pattern
Image 1 of 11
IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    late 19th century

  • Geography

    Kyoto, Kyoto prefecture, Japan

  • Material

    Brown clay; black and clear lead glazes, enamel over glaze

  • Dimension

    H x Diam: 16.1 × 12.5 cm (6 5/16 × 4 15/16 in)

  • Accession Number

    F1896.45a-b

  • EDAN ID

    edanmdm:fsg_F1896.45a-b

Object Details

  • Artist

    Style of Ogata Kenzan (1663-1743)
    Style of Ogata Korin 尾形光琳 (1658-1716)
    Kyoto workshop , imitation

  • Description

    Clay: dense, coarse, gray. Hand formed.
    Glaze: mirror-black; inside, thin, grayish.
    Decoration: in white glaze-relief; crackled.
    Signatures of Ogata Korin (1658-1716) and Ogata Kenzan (1663-1743)

  • Signatures

    Hokkyo Korin ga Kenzan [Jpn].

  • Provenance

    To 1896
    Rufus E. Moore, New York to 1896 [1]
    From 1896 to 1919
    Charles Lang Freer (1854-1919), purchased from Rufus E. Moore in 1896 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Pottery List, L. 32, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

  • Collection

    Freer Gallery of Art Collection

  • Exhibition History

    Feathered Ink (August 27, 2022 to February 20, 2023)
    The Potter's Brush: The Kenzan Style in Japanese Ceramics (December 9, 2001 to October 27, 2002)

  • Previous custodian or owner

    Rufus E. Moore (1840-1918) (C.L. Freer source)
    Charles Lang Freer (1854-1919)

  • Origin

    Kyoto, Kyoto prefecture, Japan

  • Credit Line

    Gift of Charles Lang Freer

  • Type

    Vessel

  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

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