Pair of wrist rests with scene of egrets in a lotus pond
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
First half nineteenth century -
Geography
China -
Material
Ivory -
Dimension
H x W x D: 20.6 x 6.3 x 1.6 cm (8 1/8 x 2 1/2 x 5/8 in) -
Accession Number
S1992.74.1-2 -
EDAN ID
edanmdm:fsg_S1992.74.1-2
Object Details
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Description
Pair of wrist rests carved in the shape of a section of bamboo. Carved in very low relief on the convex side is an image of two small birds perched on reed. On the concave side, in high and mid-relief carving, is a scene of two egrets in a lotus pond with reeds and a dragon fly. -
Label
This ivory wrist rest is a calligrapher's tool. When used as an aid in writing, it is placed flat on a table with the convex surface upward. The device can be used to cover still wet lines of calligraphy from accidental smuding by the author's wrist or sleeves as he continues to work, and in the case of writing small calligraphy, it can be used to support and steady the calligrapher's wrist. Wrist rests are also decorations for a scholar's desk, and when one is carved as delicately on the underside as this one, it is likely that it was intended more as a decorative piece than as a functional object. Rests like this were often fitted with stands and displayed vertically.The shape of this wrist rest imitates a section of bamboo. It was a fashionable practice to employ luxury materials such as ivory to imitate less expensive materials. The carved decoration is made up of superimposed motifs, creating a deep visual field. This scene with egrets and lotus flowers is a standard symbol in China for scholarly advancement. -
Provenance
To 1975Mr. and Mrs. Milton Turner, Bethesda, Maryland. [1]From 1975 to 1992National Museum of Natural History, Smithsonian Institution, Washington DC, gift of Mr. and Mrs. Milton Turner, Bethesda, Maryland. [2]From 1992Arthur M. Sackler Gallery, transferred from the National Museum of Natural History, Smithsonian Institution, Washington DC [3]Notes:[1] See copies of gift receipt and correspondence between Milton and Lilian Turner and the National Museum of Natural History, Smithsonian Institution. See “United States National Museum Accession Memorandum” time stamped January 24, 1975, copy in object file. See also Curatorial Remark 3 in the object record.[2] See note 1.[3] The object was transferred from the Department of Mineralogy of the National Museum of Natural History, Smithsonian Institution. See “Custody Receipt” and “Acquisition Consideration Form”, copies in object file. -
Collection
National Museum of Asian Art Collection -
Exhibition History
Les trois reves du mandarin (October 22, 2009 to February 14, 2010)The Arts of China (November 18, 1990 to September 7, 2014) -
Previous custodian or owner
Mr. and Mrs. Milton TurnerNational Museum of Natural History, Department of Anthropology, Smithsonian Institution -
Origin
China -
Credit Line
Transfer from the National Museum of Natural History, Department of Mineralogy, Smithsonian Institution -
Type
Tool and Equipment -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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