Folio from a Makhzan al-asrar (Treasury of secrets) by Nizami (d.1209); verso: Jesus and the dead dog; recto: text: The tenth article

Terms of Use
Usage Conditions ApplyAt A Glance
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Period
early 17th century? -
Geography
Iran -
Material
Opaque watercolor, ink and gold on paper -
Dimension
H x W: 24.8 x 17.1 cm (9 3/4 x 6 3/4 in) -
Accession Number
S1986.166 -
EDAN ID
edanmdm:fsg_S1986.166
Object Details
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Description
Detached folio from a dispersed copy of Khamsa (Quintet) by Nizami; text: Persian in black nasta'liq script, recto: text, The tenth article, four columns, twenty-four lines; verso: illustration and text, Jesus and the dead dog; one of a group of two folios.Border: recto: the text is set in gold, blue and red rulings on cream-colored paper; verso: the painting is set in gold, black and blue rulings on a paper with colored, floral motifs. -
Inscriptions
Stamps: 103 (ink) -
Provenance
Unidentified sale, 1930, no. 103. [1]To 1942Henri Vever (1854-1942), Paris and Noyers, France. [2]From 1942 to 1986Family member, Paris and Boulogne, France, by inheritance from Henri Vever, Paris and Noyers, France. [3]From 1986Arthur M. Sackler Gallery, purchased from a family member, Paris and Boulogne, France. [4]Notes:[1] See Susan Nemazee, "Appendix 7: Chart of Recent Provenance" in An Annotated and Illustrated Checklist of the Vever Collection, Glenn D. Lowry et al (Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution; Seattle and London: University of Washington Press, 1988), p. 404.[2] See note 1.[3] See the Agreement for the Purchase and Sale of the Henri Vever Collection of January 9, 1986, Collections Management Office.[4] See note 3. -
Collection
Arthur M. Sackler Collection -
Previous custodian or owner
Henri Vever (1854-1942)Francois Mautin (1907-2003) -
Origin
Iran -
Credit Line
Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler -
Type
Manuscript -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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