The sweet-sharp heroine, folio from a Rasikapriya

Terms of Use
Usage Conditions ApplyAt A Glance
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Period
ca. 1660 -
Geography
Udaipur, Rajasthan state, Mewar, India -
Material
Opaque watercolor and gold on paper -
Dimension
H x W (Sheet): 29 × 23.5 cm (11 7/16 × 9 1/4 in) -
Accession Number
F2011.5 -
EDAN ID
edanmdm:fsg_F2011.5
Object Details
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Court
Mewar Court -
School/Tradition
Rajput school -
Label
Here, a palace garden with domed kiosk and fountains is integrated into a larger landscape of fertile farmlands beneath a radiant sun. This richly detailed folio illustrates a verse from the Rasikapriya, a court poem that describes the Hindu god Krishna as the ideal hero and lover. The garden's pastoral yet princely setting provides an appropriate locale for Krishna's romance with his beloved Radha.The pavilion-with an open porch, fountain, and raised walkways, through which water channels run-is a typical feature of seventeenth-century Indian princely gardens, cultivated by both Hindu and Muslim nobility. The bold palette of primary colors, as well as the smiling sun, indicates that the painting was produced for the court of Mewar in Rajasthan. -
Provenance
Maharaja of Bikaner, Sangram SinghFrom 1970 to 1984Toby Falk (1942-1997), London, purchased in 1970From 1984 to 2011Catherine Glynn Benkaim, Los Angeles, purchased from Toby Falk in 1984 [1]From 2011Freer Gallery of Art, purchased from Cathy Glynn BenkaimNotes:[1] According to information from Catherine Glynn Benkaim. -
Collection
Freer Gallery of Art Collection -
Exhibition History
A Splendid Land: Paintings from Royal Udaipur (November 19, 2022 to May 14, 2023)East of Eden: Gardens in Asian Art (February 24 to May 13, 2007) -
Previous custodian or owner
Maharaja of Bikaner Singram SinghToby Falk (1942-1997)Catherine Glynn Benkaim -
Origin
Udaipur, Rajasthan state, Mewar, India -
Credit Line
Purchase from the Catherine and Ralph Benkaim Collection — Charles Lang Freer Endowment -
Type
Painting -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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