Bottle of Cizhou type

Terms of Use
Usage Conditions ApplyAt A Glance
-
Period
12th-mid 14th century -
Geography
Cizhou kiln network, Shanxi or Hebei province, China -
Material
Stoneware with white slip and iron glaze -
Dimension
H x Diam (overall): 28.2 x 16.4 cm (11 1/8 x 6 7/16 in) -
Accession Number
F2003.1a-e -
EDAN ID
edanmdm:fsg_F2003.1a-e
Object Details
-
Description
Wine bottle with a full, pear-shaped body tapering to a long, waisted neck ending in a flared mouth with lipped rim. The vessel sits on a splayed, slightly stepped foot that is unglazed on the bottom except where trimming has left a thin strip of glaze on the underside edge. The dark glaze is a lustrous rich brown suffused with fine speckles. A chip is visible on the foot ring.The decoration consists of three registers set between bands of incised bow-string lines. The middle and largest frieze displays boldly drawn curling leaves attached to a meandering stem, a design interspersed with trilobed Sagittarius leaves. The top zone features oval leaves. The bottom register does not use the "cut glaze" technique but rather boasts a simplified decor of incised petal motifs. -
Provenance
By 1957 to 1977Dugald Malcolm (1917-2000), method of acquisition unknown [1]1977Sale, London, Sotheby's, "The Malcolm Collection Catalogue of Important Chinese Bronzes, Ceramics, and Works of Art," March 29, 1977, lot 143 [2]By 1987 to 2001/2002The Idemitsu Collection, method of acquisition unknown [3]2001/2002 to 2003Anthony Carter, Chinese Ceramics & Works of Art, purchased from The Idemitsu Collection [4]2003Freer Gallery of Art, purchased from Anthony Carter, Chinese Ceramics & Works of Art [5]Notes:[1] In 1957 the Malcolm Collection of Chinese objects was on loan to the School of Oriental and African Studies and this object was a part of the collection at that time, as Margaret Medley studied it and published it as part of her 1976 study of Chinese ceramics. See Margaret Medley, "The Chinese Potter: A Practical History of Chinese Ceramics" [book] (Oxford: Phaidon Press, 1976), 135. The text credits Dugald Malcolm as the owner of the object. See alsoMr. J. D. Pearson and members of library staff, "Report: The Library of the School of Oriental and African Studies" in The Journal of Asian Studies, vol. 17, no. 1 (November 1957), 185.[2] Sotheby's, "The Malcolm Collection: Catalogue of Important Chinese Bronzes, Ceramics, and Works of Art" [auction catalogue] (London, March 29, 1977), lot 120.[3] See Idemitsu Bijutsukan, "Chugoku toji: Idemitsu Bijutsukan zohin zuroku (Chinese Ceramics in the Idemitsu Collection)" [book] (Tokyo: Idemitsu Bijutsukan, Hatsubai Heibonsha, 1987), no. 523.[4] Anthony Carter of Chinese Ceramics & Works of Art reported that he acquired from the Idemitsu Collection in 2001 or 2002. See acquisition consideration, February 3, 2003, copy in object file.[5] The Freer Gallery of Art purchased the object in March 2003. See purchase agreement, copy in object file.Research updated February 14, 2022 -
Collection
Freer Gallery of Art Collection -
Exhibition History
Chinese Ceramics: 10th–13th Century (November 5, 2011 to December 7, 2015)Black and White: Chinese Ceramics from the 10th-14th Centuries (December 18, 2004 to November 7, 2010) -
Previous custodian or owner
Captain Dugald Malcolm (English, 1917-2000)Idemitsu Museum of ArtsAnthony Carter -
Origin
Cizhou kiln network, Shanxi or Hebei province, China -
Credit Line
Purchase — funds provided by Charles Lang Freer Endowment and Lois S. Raphling, the Hassan Family Foundation, in memory of Dr. David L. Raphling -
Type
Vessel -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.
Keep Exploring
-
Related Resources
-
Date
-
Name
-
Place
-
Topic
-
Culture
-
Object Type