Omuro ware freshwater jar for the tea ceremony

Object Details

• Artist

  Nonomura Ninsei (active ca. 1646-77)

• Description

  Cylindrical in shape, the jar has a wide, round mouth, and widens to a rounded bottom and flat base. The wheelmade stoneware body is coated with multiple applications of polychrome glazes. Two vertical, pierced "rolled leaf" lug handles are attached on opposite sides. Pronounced broad, irregular crackle to the glaze. Stamped base.

  Round, brown-black lacquered wood lid, with loop handle. Accompanying boxes.

• Marks

  Stamped base

• Provenance

  Yamada Takeji, Kobe, Japan [1]

  To 1998

  Takashi Yanagi, Kyoto, to 1998

  From 1998

  Freer Gallery of Art, purchased from Takashi Yanagi in1998

  Notes:

  [1] The object was included in an exhibition of Yamada Takeji's collection, held at the Osaka Municipal Art Museum, the Tokugawa Art Museum, and the Nezu Art Museum in 1967, and in a publication, Shoki Kyoyaki, later translated as Masahiko Sato, Arts of Japan 2, Kyoto Ceramics (N.Y., Tokyo: Weatherhill/Shibundo, 1973). See Curatorial Note 3, Louise Cort, 5 January 1998, in the object record.

• Collection

  Freer Gallery of Art Collection

• Exhibition History

  The Potter's Mark: Tea Ceramics and Their Makers (August 18, 2007 to February 24, 2008)

  Rusticity Refined: Kyoto Ceramics by Ninsei (March 19 to October 23, 2005)

  Faith and Form: Selected Calligraphy and Painting from the Japanese Religious Traditions (March 20 to July 18, 2004)

  Beyond the Legacy--Anniversary Acquisitions of the Freer Gallery of Art (October 11, 1998 to April 11, 1999)

• Previous custodian or owner

  Yamada Takeji

  Takashi Yanagi

• Origin

  Omuro kiln, Kyoto, Kyoto prefecture, Japan

• Credit Line

  Purchase — Charles Lang Freer Endowment

• Type

  Vessel

• Restrictions and Rights

  Usage Conditions Apply

  There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

  The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring

• Related Resources

  collections.si.edu

• Date

  1700s, 1710s, 1720s, 1770s, 1780s, 1790s, 1730s, 1740s, 1750s, 1760s, 1800s, 1810s, 1820s, 1830s, 1610s, 1650s, 1640s, 1630s, 1620s, 1690s, 1840s, 1680s, 1850s, 1670s, 1860s, 1660s

• Name

  Yamada, Takeji, Takashi, Yanagi

• Place

  Omuro kiln, Kyoto, Japan, Kyoto prefecture

• Topic

  Water, Tea, Art, Stoneware, Edo period, Japan, (1600 - 1868), Japanese Art, Omuro ware

• Culture

  Japanese

• Object Type

  Vessels (containers)