Bowl

Terms of Use
Usage Conditions ApplyAt A Glance
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Period
second half of 16th century -
Geography
Undae-ri kilns, Jeollanam-do province, Korea -
Material
Stoneware with dipped white slip under transparent glaze -
Dimension
H x Diam: 7.9 x 15.1 cm (3 1/8 x 5 15/16 in) -
Accession Number
F1996.20 -
EDAN ID
edanmdm:fsg_F1996.20
Object Details
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Description
Clay: Soft beige stoneware.Glaze: Coated with white slip. Body probably dipped into slip, then foot dipped; slip layers overlap a little. Slip chipped off where thick in the overlapping area and around rim. Entire vessel dipped into clear glaze, appear green where thick. Fired on top of fine sand, some granules adhering to glaze inside of foot. Interior bottom has five ground down scars from wads of clay used for stacking. Different kind of clay used for these: sandy yellow clay with big white and black granules. Large part of interior wall stained brown except near the rim. Exterior wall is only partially stained; otherwise greenish white. -
Provenance
From 1959-1963 to 1996Mr. Gregory Henderson (died 1988) and Mrs. Maria Henderson (died 2007), West Medford, MA, acquired in Korea from an unnamed dealer during 1959-1963 [1]From 1996Freer Gallery of Art, purchased from Mrs. Maria Henderson in 1996 [2]Notes:[1] Mr. and Mrs. Henderson acquired this object in Korea whilst they were living in Seoul (see Curatorial Remark 5 in the object record).Also, see Curatorial Remark 1, Louise A. Cort, August 27, 1996, in the object record.[2] See Freer Gallery of Art Accession List, Collections Management Office. -
Collection
Freer Gallery of Art Collection -
Exhibition History
Parades: Freer Ceramics Installed by Gwyn Hanssen Pigott (November 4, 2006 to January 7, 2008)The Tea Ceremony in Japan XII (July 2, 2000 to February 4, 2001) -
Previous custodian or owner
Mrs. Maria Henderson (died 2007) -
Origin
Undae-ri kilns, Jeollanam-do province, Korea -
Credit Line
Purchase — Charles Lang Freer Endowment -
Type
Vessel -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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