Folio from a Shahnama (Book of kings) by Firdawsi (died 1020); recto: Iskandar (Alexander) and the talking tree; verso: text

Terms of Use
Usage Conditions ApplyAt A Glance
-
Period
ca. 1330 -
Geography
Tabriz, Iran -
Material
Ink, opaque watercolor and gold on paper -
Dimension
H x W: 40.8 x 30.1 cm (16 1/16 x 11 7/8 in) -
Accession Number
F1935.23 -
EDAN ID
edanmdm:fsg_F1935.23
Object Details
-
Description
Detached folio from a dispersed copy of the Shahnama (Book of kings) by Firdawsi; text: Persian in black naskh script, titles in gold naskh outlined in black; recto: illustration and text, Iskandar and the talking tree, six columns, 21 lines; verso: text unrelated to the recto, Jahan takes Afrasiyab's message to Kay Khusraw, six columns, 31 lines; one of a group of 16 folios (F1923.5, F1930.78, F1930.79, F1935.23, F1935.24, F1938.3, F1942.2, S1986.100, S1986.101, S1986.102, S1986.103, S1986.104, S1986.105.1, S1986.105.2, S1986.106, S1986.107). -
Previous custodian or owner
Georges Demotte (1877-1923)Jacques Doucet (1853-1929)City of ParisHagop Kevorkian (1872-1962) -
Provenance
?- to at least 1930Jacques Doucet (1853-1929), method of acquisition unknown [1]1930Auction, Paris, Galerie George Petit, “Collection Jacques Doucet: Céramique d’Extrême-Orient,” lots 101 and 102 [2]1930-1934Charles Vignier (1863-1934), purchased at auction [3]1934-1935Held in sequestration by City of Paris [4]1935-1935H. Kevorkian, New York, purchased from the estate of Charles Vignier, through sequestrator [5]From 1935Freer Gallery of Art, purchased from Hagop Kevorkian, New York. [6]Notes:[1] See Galerie Georges Petit, “ Collection Jacques Doucet: Céramique d’Extrême-Orient: Bronzes, Sculptures, Peintures Chinoises et Japonaises Laques du Japon, Faïences de la Perse de la Transcaspie et de la Mésopotamie Miniatures Persanes” [auction catalog] (Paris: Galerie Georges Petit, November 28, 1930) lots 101 and 102, pl. XXXII. The folio is described as “Page de manuscrit provenant d’un “Shah Nameh”. Le roi Bahram s’arrête devant l’arbre Wakwak que fleurissent des têtes d’hommes et d’animaux.” Jacques Doucet was a couturier and art collector.[2] See note 1 and note 3.[3] See April 30, 1935, letter from Madame J. Vignier to J.E. Lodge, where she explains that her late husband Charles Vignier (1863-1934), a Swiss-born poet, writer, art collector and dealer of antiquities, was retained by H. Kevorkian to purchase the two Shahnama miniatures at the auction of the Doucet Collection [see note 1]. She claims Kevorkian never paid Charles Vignier. See original letter in object file for F1935.23.[4] See April 24, and May 2, 1935, letters from Maurice Kastler, Administrateur Judiciaire, Tribunal Civil de la Seine of the City of Paris, to J.E. Lodge, wherein he explains that after the February 5, 1934, death of Charles Vignier, the two miniatures were ordered by the Court to be placed into sequestration, and that he, a judicial administrator of the Seine Civil Court, was the sequestrator. He notes that the cause of this sequestration was due to Kevorkian having paid only a deposit on the purchase of the miniatures, and the remaining purchase price remained to be settled. See original letter in object file.[5] Hagop Kevorkian (1872-1962) was a dealer and collector of Islamic Art with eponymous galleries in New York and Paris. See July 12, 1935, sworn affidavit of Maurice Kastler, and witnessed by Vice-Consul of the United States of America at Paris, France, stating that he sold to Mr. Kevorkian these two Persian miniatures from the auction of the collection of the late Jacques Doucet on November 28, 1930 auction [see note 1]. The affidavit states that “Mr. Hegop [sic] Kevorkian, having paid the agreed price, is the owner of these two miniatures and can dispose of them freely.” See original affidavit in object file for F1935.23.[6] The Freer Gallery of Art paid H. Kevorkian in installments, the first on July 29, 1935, and the last on October 8, 1935, and approved on March 27, 1935. See objects’ files for copies of invoices.Research updated December 1, 2022 -
Origin
Tabriz, Iran -
Credit Line
Purchase — Charles Lang Freer Endowment -
Type
Manuscript -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.
Keep Exploring
-
Related Resources
-
Date
-
Name
-
Place
-
Topic
-
Culture
-
Language
-
Object Type