string(20) "edanmdm:fsg_F1932.25" Worshiping the Buddha, from the railing of the Bharhut Stupa - National Museum of Asian Art

Worshiping the Buddha, from the railing of the Bharhut Stupa

Detail of a pattern
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At A Glance

On View
  • Period

    early 2nd century BCE
  • Geography

    India
  • Material

    Stone
  • Dimension

    H x W x D: 48 x 52.8 x 8.9 cm (18 7/8 x 20 13/16 x 3 1/2 in)
  • Accession Number

    F1932.25
  • EDAN ID

    edanmdm:fsg_F1932.25

Object Details

  • Provenance

    Early 2nd century BCE-?
    Stupa of Bharhut, Madhya Pradesh, India [1]
    ?-?
    Unidentified owner, India
    From at least 1913 or 1914-?
    Rai Bahadur Radha Krishna (d. 1931), method of acquisition unknown in India [2]
    Possibly early 1910s-before May 1932
    Unidentified individual, England and India, method of acquisition unknown in India [3]
    Before May 1932-July 1932
    Hagop Kevorkian, New York, NY, purchased from Unidentified individual, England and India, in England [4]
    From July 1932
    Freer Gallery of Art, purchased from Hagop Kevorkian [5]
    Notes:
    [1] The fence-rails F1932.25 and F1932.26 are from the Stupa of Bharhut in Madhya Pradesh, India.
    The fence-rails were first published in 1879 by Alexander Cunningham (1814-1893), a British engineer and archaeologist, in the book “The Stupa of Bharhut: A Buddhist Monument Ornamented with Numerous Sculptures Illustrative of Buddhist Legend and History in the Third Century B.C.” Cunningham first visited the Stupa of Bharhut in 1873. In 1874, he returned to explore, excavate, and document the site. See Alexander Cunningham, “The Stupa of Bharhut: A Buddhist Monument Ornamented with Numerous Sculptures Illustrative of Buddhist Legend and History in the Third Century B.C.,” [book] (London: Wm. H. Allen and Co., 1879), ill. plate XXXI, fig. 1 and fig. 2. F1932.25 is described as “2. Dharma Chakra.” F1932.26 is described as “1. Stupa.”
    See also John E. Lodge, object record sheet remark, dated 1932, pp. 1-2, copy in object file.
    [2] In 1971, the French dealer Paul Mallon (1884-1975) reported to Curator John A. Pope that, in 1913 or 1914, Rai Bahadur Radha Krishna of Mathura offered the fence-rails to him. See John A. Pope, object record sheet remark, dated 1971, p. 4, copy in object file. In Pope’s remark, Rai Bahadur Radha Krishna is referred to as “Radha Krishna Rai Bahadur of Nathura.” Further research is required to verify this information.
    Rai Bahadur Radha Krishna (Rai Bahadur Pandit Radha Krishna) of Mathura, Uttar Pradesh, India worked at the Mathura Museum of Archaeology (now the Government Museum of Mathura) beginning in 1908 as an Associate Curator and by 1914 as Honorary Curator. A few months prior to his sudden death on May 4, 1931, he had been given the title of Honorary Managing Director. During his time at the museum, he helped to grow the collection through purchases and excavations funded by the Government of India. Rai Bahadur Radha Krishna is known to have carried out excavations in the early 1910s and had worked with Dr. J. Ph. Vogel (Jean Philippe Vogel) (1871-1958), a Dutch scholar that worked with the Archaeological Survey of India from 1901 to 1914.
    [3] Hagop Kevorkian acquired the objects in England from a British subject who had lived in India and had owned the slabs for twenty years. See Lodge, object record sheet, p. 2. Precisely when Kevorkian purchased the objects is unknown. The objects were received from Kevorkian at the Freer Gallery of Art on May 10, 1932. See memo dated May 10, 1932, copy in object file. The objects are described as “2 Indian sculptures.”
    [4] See note 4.
    Hagop Kevorkian (1872-1962) was a dealer and collector of Islamic art with eponymous galleries in New York and Paris.
    [5] See object file for copy of Hagop Kevorkian invoice to Freer Gallery of Art, dated July 1, 1932, and marked approved on July 1, 1932.?Objects are described as “2 stone reliefs from the Stupa at Bharhut, India.”
    Research updated April 5, 2023
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Body Image (October 14, 2017 - ongoing)
    Arts of the Indian Subcontinent and the Himalayas (October 16, 2004 to January 3, 2016)
    Buddhist Art (May 9, 1993 to September 21, 2004)
    The Arts of South Asia (May 13, 1985 to December 2, 1985)
    The Ramayana (July 18, 1983 to April 15, 1984)
    Hindu and Buddhist Art (April 1, 1982 to July 18, 1983)
    Hindu and Buddhist Art (January 28, 1981 to September 24, 1981)
    Indian Art (January 1, 1963 to January 28, 1981)
    Untitled Exhibition, South Asian Art, Gallery 8 (July 15, 1958 to January 1, 1963)
    Centennial Exhibition, West Corridor (February 25, 1956 to July 11, 1958)
    Untitled Exhibition, South Asian Paintings and Sculpture (October 2, 1947 to February 25, 1956)
    Untitled Exhibition, South Asian Paintings, Gallery 7 (January 10, 1945 to October 2, 1947)
    Untitled Exhibition, Freer South Corridor (December 4, 1944 to February 25, 1956)
    Untitled Exhibition, South Asian Paintings, Gallery 4 (May 5, 1933 to January 9, 1945)
  • Previous custodian or owner

    Rai Bahadur Radha Krishna (d. 1931)
    Hagop Kevorkian (1872-1962)
  • Origin

    India
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Sculpture
  • On View

    Freer Gallery 02: Body Image: Arts of the Indian Subcontinent
  • Restrictions and Rights

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