Nocturne: Cremorne Gardens, No. 3

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    ca. 1872-1877
  • Geography

    United States
  • Material

    Oil on canvas
  • Dimension

    H x W: 44.9 x 63.1 cm (17 11/16 x 24 13/16 in)
  • Accession Number

    F1919.12a-b
  • EDAN ID

    edanmdm:fsg_F1919.12a-b

Object Details

  • Artist

    James McNeill Whistler (1834-1903)
  • Label

    Whistler was attracted to the nocturnal visual effects of Cremorne Gardens, a popular, if somewhat seedy, amusement park only a few blocks from his residence in the Chelsea section of London. Two figures, reduced to quick strokes of black and white paint, seem to glide away from a pool of light in the right foreground. Their retreat into shadow hints at Cremorne’s reputation as an illicit trysting spot. The implied narrative, however, is literally overshadowed by Whistler’s interest in aesthetic, rather than romantic, relationships. Nearly abstract patterns of lighter pigment, thinned to a runny consistency that Whistler called “sauce,” punctuate the enveloping darkness. The layering of light and dark rectangles is a compositional device that Whistler repeated in some of the works to the right, most notably in the Amsterdam watercolors and in the Venice etching "Nocturne: Furnace."
  • Provenance

    To 1919
    Percy Moore Turner (circa 1877-1950), London and Paris, to 1919 [1]
    1919
    Charles Lang Freer (1854-1919), purchased from Percy Moore Turner in 1919 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Accession List, Collections Management office, as well as Original Whistler List, Paintings, pg. 15c, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Whistler: Streetscapes, Urban Change (November 18, 2023 to May 4, 2024)
    Whistler in Watercolor (May 18 to November 3, 2019)
    The Texture of Night: James McNeill Whistler (June 6, 2009 to July 25, 2010)
    Freer & Whistler: Points of Contact (February 23, 2008 to January 3, 2016)
    Mr. Whistler's Galleries: Avant-garde in Victorian London, 1883 (November 20, 2003 to April 4, 2004)
    Art for Art's Sake (July 23, 1997 to January 24, 2008)
    American Paintings: James McNeill Whistler 1834-1903 (February 6, 1985 to March 4, 1986)
    James McNeill Whistler at the Freer Gallery of Art—Whistler and Modern Life (May 11, 1984 to December 16, 1984)
    American Paintings: James McNeill Whistler (November 11, 1976 to March 18, 1981)
    Whistler—Landscapes and Seascapes (October 14, 1969 to September 25, 1971)
    Whistler Paintings (September 8, 1961 to October 15, 1969)
    Centennial Exhibition, Galleries 10 and 11 (February 25, 1956 to November 3, 1959)
    Untitled Exhibition, Whistler Oil Paintings (February 12, 1944 to May 10, 1945)
    Untitled Exhibition, American Oil Paintings (May 1, 1933 to February 6, 1944)
    Whistler Landscapes, Oil (January 20, 1928 to May 1, 1933)
    Whistler Oils Exhibition (January 8, 1925 to January 20, 1928)
    American Paintings by J.A.McN. Whistler (May 2, 1923 to January 8, 1925)
    American Paintings, J.A.McN. Whistler (May 2, 1923 to February 12, 1944)
  • Previous custodian or owner

    Percy Moore Turner (ca. 1877-1950) (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    United States
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring