Vase

Terms of Use
Usage Conditions ApplyAt A Glance
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Period
late 14th-early 15th century -
Geography
Spain -
Material
Earthenware painted over glaze -
Dimension
H x Diam: 77.2 × 68.2 cm (30 3/8 × 26 7/8 in) -
Accession Number
F1903.206a-b -
EDAN ID
edanmdm:fsg_F1903.206a-b
Object Details
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Description
Clay: soft, dense, buff.Glaze: originally white, discolored, partially disintegrated and chipped.Decoration: in dark-blue over glaze. Traces of gold lustre. -
Inscriptions
Deer: Good health; Roundels: Good health. Central band: O thou onlooker who art adorned with the splendor of the dwelling / Look at my shape today and contemplate: thou wilt see my excellence / For I appear to be made of silver and my clothing from blossoms / My happiness lies in the hands of he who is my owner, underneath the canopy. -
Provenance
Mariano Fortuny (1838-1874), Spain [1]To 1903Charles Davis, London, to 1903 [2]From 1903 to 1919Charles Lang Freer (1854-1919), purchased from Charles Davis in 1903 [3]From 1920Freer Gallery of Art, gift of Charles Lang Freer in 1920 [4]Notes:[1] See Curatorial Remark 9, R.E., 1952, in the object record.[2] See Original Pottery List, L. 1245, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.[3] See note 1.[4] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery. -
Collection
Freer Gallery of Art Collection -
Exhibition History
The Peacock Room Comes to America [2017-2019] (October 14, 2017 to January 2, 2019)Caliphs and Kings The Art and Influence of Islamic Spain (May 8 to October 17, 2004)Ceramics from the World of Islam (January 16, 1974 to July 1, 1974)Near Eastern Pottery and Persian Painting (May 2, 1923 to March 14, 1931) -
Previous custodian or owner
Mariano Fortuny y Marsal (Spanish, 1838-1874)Charles Davis (C.L. Freer source)Charles Lang Freer (1854-1919) -
Origin
Spain -
Credit Line
Gift of Charles Lang Freer -
Type
Vessel -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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