Incense container with design of Cherry River

Terms of Use
Usage Conditions ApplyAt A Glance
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Period
mid-19th century -
Geography
Kyoto, Kyoto prefecture, Japan -
Material
Buff clay; white slip, iron and cobalt pigments under transparent glaze, and enamels over glaze; wood replacement for missing base. -
Dimension
H x W: 1.4 x 8.1 cm (9/16 x 3 3/16 in) -
Accession Number
F1902.219a-b -
EDAN ID
edanmdm:fsg_F1902.219a-b
Object Details
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Artist
Style of Ogata Kenzan (1663-1743)Kyoto workshop, Kenzan style -
Description
Lid for fan-shaped incense box (kogo), with later wooden base.Clay: stoneware, hard, gray.Glaze: transparent, appearing grayish-cream, tinged with blue; crackled; brownish-black on edges.Decoration: in white slip and iron and cobalt under pigments under glaze and gold and red enamels over glaze. Blossoming cherry trees by stream.Inscription on the base. -
Signatures
Signature: Kenzan, in rectangular frame, written in iron pigment under glaze on back of lid. -
Inscriptions
Contains inscription on the base. -
Provenance
To 1902Bunkio Matsuki (1867-1940), Boston, to 1902 [1]From 1902 to 1919Charles Lang Freer (1854-1919), purchased from Bunkio Matsuki in 1902 [2]From 1920Freer Gallery of Art, gift of Charles Lang Freer in 1920 [2]Notes:[1]See Original Pottery List, L. 1195, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.[2] See note 1.[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery. -
Collection
Freer Gallery of Art Collection -
Exhibition History
The Potter's Brush: The Kenzan Style in Japanese Ceramics (December 9, 2001 to October 27, 2002)Fans (May 18, 1980 to October 13, 1981) -
Previous custodian or owner
Bunkio Matsuki 松木文恭 (1867-1940) (C.L. Freer source)Charles Lang Freer (1854-1919) -
Origin
Kyoto, Kyoto prefecture, Japan -
Credit Line
Gift of Charles Lang Freer -
Type
Container -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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